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Kunsthistorie 1770-1870

1300-1600    1600-1770    1770-1870    1870-1905    1905-1940    1940-1970    1970-2010


Realisme

Omkring 1840 blev realisme den mest udbredte retning i fransk maleri. Den var en reaktion mod klassicismens idealiserede skønhedsdyrkelse og romantikkens teatralske motiver langt fra det moderne liv. Den ønskede at gengive virkeligheden så realistisk og objektivt som muligt. Courbet erklærede, at maleriet kun måtte beskæftige sig med virkelige og eksisterende ting. De realistiske malere blev udskældt for deres dårlige manerer, deres usentimentale syn på kvindefiguren og deres lidenskab for den fysiske fremtoning.


Realism

About 1840 the Realism became the most well known style in French painting. It was a reaction against the idealised worship of beauty in the Classicism and the theatrical motifs in the Romanticism far from modern life. It wanted to describe reality as realistic and objectively as possible. Courbet proclaimed that painting should only be occupied with real and existing things. The realistic painters were severely criticized for their bad manners, their unsentimental view of the woman figure and their passion for the physical appearance.

Gustave Courbet (i)
Edouard Manet (i)
Jean-Baptiste Carpeaux (i)
Jean-François Millet (i)
Jean-Baptiste-Camille Corot (i)
Thomas Eakins (i)
Rosa Bonheur (i)
Edward Burne-Jones (i)
Honoré Daumier (i)
William Holman Hunt (i)
Jozef Israëls (i)
Adolf von Menzel (i)
John Everett Millais (i)
William Morris (i)
Dante Gabriel Rossetti (i)
James Abbott McNeill Whistler (i)
GULDALDEREN I DANSK MALERKUNST (i)
Wilhelm Bendz (i)
Christen Dalsgaard (i)
Dankvart Dreyer (i)
C.W. Eckersberg (i)
Julius Exner (i)
Lorenz Frølich (i)
Constantin Hansen (i)
Jens Adolf Jerichau (i)
Elisabeth Jerichau Baumann (i)
Christen Købke (i)
Johan Thomas Lundbye (i)
Wilhelm Marstrand (i)
Jørgen Roed (i)
Martinus Rørbye (i)
L.A. Schou (i)
P.C. Skovgaard (i)
Jørgen V. Sonne (i)
Frederik Vermehren (i)