Boris Grigoriev
Boris Grigoriev (Russian: Бори́с Дми́триевич Григо́рьев; 11 July 1886 – 7 February 1939)[1] was a painter, graphic artist, and writer.
Biography[edit]
Grigoriev was born in Rybinsk[2][better source needed] and studied at the Stroganov Art School from 1903 to 1907 with Dmitry Shcherbinovsky.[3] Grigoriev went on to study at the Imperial Academy of Arts in Saint Petersburg under Alexander Kiselyov, Dmitry Kardovsky and Abram Arkhipov from 1907 to 1912. He began exhibiting his work in 1909 as a member of the Union of Impressionists group,[3] and became a member of the World of Art movement in 1913.[2] At that time he also wrote a novel, Young Rays.[4]
After his return to Saint Petersburg in 1913[5] he became part of the Bohemian scene in St. Petersburg and was close to many artists and writers of the time, such as Sergey Sudeykin, Velimir Khlebnikov and the poet Anna Akhmatova, often painting their portraits.[citation needed]
Grigoriev was also interested in the Russian countryside, its peasants and village life. From 1916 to 1918 he created a series of paintings and graphic works, Russia (Raseja, Russian: Расея), depicting the poverty and strength of rural Russia.[2][3] The album started with Grigoriev's poem To her stepsons.[4] The album won a praise from influential art-critic Alexandre Benois. According to Benois, Grigoriev had shown the very essence of Russia in the period before the revolutionary upheaval.[5] The leaderless workshop he organised in September 1919 led to the creation of the Society of Young Artists.[6]
However in 1919, Grigoriev travelled and lived abroad in many countries including Finland, Germany, France,[2] the United States, Central and South Americas.[5] Grigoriev lived for a time in Paris, where he attended the Académie de la Grande Chaumière.[2] In Paris he was strongly influenced by Paul Cézanne.[5] It was either at this time, or while he lived in New York – there are conflicting reports – that he had an affair with the young painter Martha Visser't Hooft, then Martha Hamlin.[7][8]
In 1934 he published his poem Russia (Расея) in the American Russian-language newspaper Novoye Russkoye Slovo. The poem was a poetic reflection of his famous Russia series of paintings. He also wrote a poem, America, which was not published until 2003.[4]
Grigoriev died in Cagnes-sur-Mer in 1939.[2]
Some works[edit]
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Double portrait of Vsevolod Meyerhold, 1916 -
An old man from Olonets -
Portrait of Anna Grilikhes, 1917 -
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Peasants in the Field, 1920 -
La Mère Agathe, 1925 -
Sunflowers, 1917-1919 -
Village, 1918 -
Feodor Chaliapin, 1918
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References[edit]
- ^ Bowlt, John E.; Misler, Nicoletta (1993). Twentieth-century Russian and East European painting. 314: Zwemmer. ISBN 9780302006191.
{{cite book}}: CS1 maint: location (link) - ^ a b c d e f Biography at artnet
- ^ a b c Grigoriev in Staratel Linrary (in Russian)
- ^ a b c "America" by Boris Grigoriev publication by A Klevitsky «Новый Журнал» 2003, №231 (in Russian)
- ^ a b c d Grigoriev on site World of Marina Tsvetaeva (in Russian)
- ^ "OBMOKhU – Monoskop". monoskop.org. Mnoskop. Retrieved 5 November 2018.
- ^ Brownrout, Dean (July 2007). "Homecomings The life-changing legacy of Martha Visser't Hooft". www.buffalospree.com. Buffalo Spree Magazine. Retrieved 23 June 2018.
- ^ "Martha Hamlin Visser't Hooft" (PDF). Bio Visser't Hooft. Peyton Wright. Retrieved 23 June 2018.
External links[edit]
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